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“Everyone gets fucked because of the hatred you have for little infants.” Another work of art, Angie Thomas’ debut novel The Hate U Give, was inspired by the phrase “THUG LIFE,” which was made popular in the 1990s by Tupac Shakur as an acronym for “THUG LIFE.” In fact, the book was so successful in connecting with a young generation dealing with gun violence and police brutality that it has remained on The New York Times bestseller list since its publication in February 2017. In order to spread the Black Lives Matter message even further, the film adaptation of this powerful story will attempt to reach an even larger audience.
A black teenager who is well-versed in code-switching between her black community in Garden Heights and the prep school her parents send her and her siblings to in Williamson, an ostentatiously white and wealthy neighborhood, is the focus of both the book and the film. During the opening scene of George Tillman Jr.’s film, her stern-voiced father, Maverick (Russell Hornsby), is teaching his children what to do if a police officer pulls over the car they’re in and asks them what they’re doing. Put their hands on the steering wheel and follow their instructions. It’s the difference between life and death in some situations. In this scene, she is nine years old, her older brother is ten, and the youngest member of the Carter family is just a year old, still fussing in his mother’s arms, when the action takes place.
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This is followed by a fast-forward to the present day, when Starr (Amandla Stenberg) is a vibrant 16-year-old who plays on her school’s basketball team and falls in love with a goofy yet earnest white classmate named Chris (K.J. Apa). Unintentionally, having one foot in two different social circles has the unintended consequence of making you feel unbalanced in either of them. It makes her feel out of place at her white prep school, where white kids are encouraged to use black slang, and at a neighborhood party, which a friend has invited her to in order for Starr to assist her in a fight. When an old childhood friend and first crush, Khalil (Algee Smith), approaches her with a smile complete with dimples, Starr’s awkward feelings are temporarily put aside for a brief moment of clarity. During the party, a fight breaks out, which causes their meet-cute to be interrupted, and the two leave in Khalil’s car. On their way back to Starr’s house, the two teenagers reminisce about their previous encounters and even share a kiss on the cheek. Then there are flashing red and blue lights. An unidentified officer pulls them over for an unknown reason, and Khalil becomes combative. He listens intently as Starr coaches him through her father’s warnings: keep your hands on the steering wheel and do what they say. In an attempt to pass the time while the officer is away running Khalil’s license, the teenager carelessly reaches for his hairbrush. Shots rang out, and Khalil was killed. The officer places Starr in handcuffs next to her dying friend. He had mistook the hairbrush in the boy’s hand for a weapon and had fired first before asking any questions about what had happened.
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An earthquake strikes the community, and Starr finds herself caught up in the media frenzy and outrage that ensues as a result of the incident. She is suffering from post-traumatic stress disorder and appears to be wandering the halls of her school, seemingly unsure of what she is supposed to be doing there. Despite the fact that they live only a short distance away, her classmates appear to be completely disconnected from the problems that plague the neighborhood next door. In frustration, Starr begins to defy one of her white girlfriends, who is completely baffled by what is taking place. The woman’s boyfriend, Chris, goes through a crash course in how to be an ally, and he does everything he can to assist her.
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In a way that is neither didactic nor preachy, the film takes the time to explain various inequalities and barriers that black Americans face, typically through exchanges between father and daughter, without ever becoming preachy itself. As he learns the ins and outs of this unjust system, Starr comes to the conclusion that things cannot continue as they are. Her point of view is reminiscent of the youth-led movements that have sprung up in response to Black Lives Matter and the marches against gun violence in schools. This time, the status quo will not be allowed to stand unchallenged.
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Despite the difficulty of the role, Stenberg, whose previous credits include other YA fare such as “The Hunger Games” and “Darkest Minds,” does an excellent job of it, evolving from a carefree adolescent to a traumatized child to a natural born leader in front of our eyes. She is not alone in her endeavors, as Issa Rae, Anthony Mackie, and Common are all featured in the film’s supporting cast. While acting as Starr’s parents, Hornsby and Regina Hall also share a nuanced and complicated dynamic—a loving couple who disagree on the best way to raise their children, whether in the challenging neighborhood where they grew up or in a more comfortable environment.
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In order to visually mirror the experience of switching between the worlds of Garden Heights and Williamson, the lighting and color of the scenes also change from warm, familiar tones (Garden Heights) to washed out blue hues (Williamson) in order to visually mirror the experience of switching between worlds (Williamson). All of the scenes in the Carter household are warm and well-lit, conjuring up images of the comfort of a close-knit family unit. When Starr is at school, her face appears washed out and pale, as if the screen was attempting to make the colors of everyone’s skin appear the same by muting them all to a uniform shade. She tries so hard to fit in that she sacrifices her identity in a variety of ways, including refraining from using the slang terms that her classmates have adopted.
When I saw “The Hate U Give,” there were tears, gasps, laughs, and applause from the audience. The sound of the shots sent a shiver down my spine, and I had to hold back tears in many more scenes as the credits rolled. It may be a well-known film with arguably straightforward messages, but it does so in an emotionally effective and moving manner. We sympathize with Starr and stand by her in difficult situations, such as when she confronts a racist friend or confronts a reporter for obsessing over Khalil’s troubled past. We get a sense of the loneliness she feels in her school’s hallway, as well as the agony of having to stand by and watch her friend bleed to death. Because this is the story of a 16-year-old girl who is discovering that the world is even worse than she had previously imagined, the story may at times seem overly simplistic, like a “introduction to race in America.” There will almost certainly be many more girls in the audience who will either be hearing a story like Starr’s for the first time, or who will recognize their own experience onscreen, for the first time.
The film “The Hate U Give” is currently available for free streaming on a variety of digital platforms.
For more personality quizzes check this: Hostiles Quiz.