Respond to these rapid questions in our The Lego Batman Movie quiz and we will tell you which The Lego Batman Movie character you are. Play it now.
Put your hands in the air, Bat guys and Bat girls. Despite the fact that “The Lego Batman Movie” is the latest installment in a burgeoning animated toy-box franchise based on 2014’s “The Lego Movie,” I am not among those who are flapping their Bat wings with unbridled delight. Consider that this dissent comes from someone who gave its predecessor, a supremely original and consistently entertaining outing about resisting socially-enforced conformity, four out of five stars in the same review.
Alternatively, it’s possible that I’m suffering from superhero fatigue at the moment. Even the stars of these repetitive endeavors are suffering from this malady, as current Batman surrogate Ben Affleck discovered when he couldn’t muster the energy to direct a sequel to last year’s critically panned “Batman v Superman: Dawn of Justice” in addition to his other commitments.
Since Michael Keaton’s inspired and out-of-the-box portrayal of the Caped Crusader on the big screen, I haven’t been a huge fan of the character on the silver screen. When he sneered, “I’m Batman,” he conveyed a sense of genuine danger. It is usually in the service of derisive mockery that Will Arnett’s throatily growls his lines in this Lego version, and it only semi-regularly hits the mark.
I could have easily skipped the screening and instead tuned in to any cable news channel if I wanted to spend the morning with a narcissistic grumpy billionaire who claims he and he alone can bring law and order to the world while boasting endlessly about his accomplishments. Despite the fact that Batman receives points for frequently beat-boxing rather than tweeting his own praise,
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But, in addition to having an unyielding “me first” attitude, the synthetically molded superhero and a certain White House resident share a financial patron: Treasury Secretary nominee Steve Mnuchin, who serves as an executive producer on this satirical spinoff. Hmm. Are you thinking what I am thinking about how they might just build that border wall one Lego brick at a time, as opposed to the traditional method of building a wall?
Given that I am not a diehard Batman fan, I will never be mistaken for one. While growing up, I was more interested in Superman, largely due to the presence of Lois Lane—but I was also a big fan of the campy ’60s Batman television series (which is referenced here by its “na-na-na” theme song, cheesy villains, and the use of pop-art “POWs!” during a fight scene—a bone thrown to us oldsters). Consequently, I am not the intended audience. But then again, neither are children under the age of eight or so, who are unlikely to understand much of the non-bathroom and buttocks-related humor.
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Basically, those who are crazy about this stuff will eat their way through any and all of the Easter eggs that pass by. Those who aren’t as familiar with the character’s 78-year history, on the other hand, are likely to feel as if their brains have been scrambled.
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But that’s not to say I didn’t find some enjoyment in this aggressively frantic comedic spin on the Dark Knight, directed by Chris McKay (who previously worked as an animation co-director/supervisor on the first Lego film) as it draws on decades of Batman lore for its inside jokes (including an obscure villain known as the Condiment King) and cultural references that zip by faster than any souped-up Bat vehicle. However, it quickly becomes apparent that not everything is quite as fantastic as it was the first time around. For starters, there isn’t much of a plot other than the fact that the bromance-obsessed Joker (Zach Galifianakis, who transforms his leering clown into an incessant whiner) is irritated that Batman refuses to acknowledge that he is Batman’s No. 1 arch-rival. Batman instead makes the hurtful claim that Superman is his greatest adversary before admitting, “I am engaged in combat with a number of different individuals… “I enjoy squabbling with other people.”
The majority of the film’s 104-minute running time is taken up by action sequences featuring a slew of villains drawn not only from the DC Comics universe but also from the Warner Bros. warehouse of villains, which includes the Eye of Sauron, Voldemort, King Kong, Gremlins, Godzilla, and the Wicked Witch of the West and her Flying Monkeys. There is plenty of visual glitz and glam, to be sure, but there isn’t much substance to it.
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What I particularly enjoyed was a rare moment of quiet and semi-seriousness when Batman returns to his nearly deserted secluded compound, which encompasses an entire island and reheats the lobster thermidor that Alfred had thoughtfully left in the fridge (a fine Ralph Fiennes). In his silk robe and mask, Batman accidentally punches in 20 minutes instead of 2—glad to know I’m not the only one who does this—and dines in silence before heading to his Wayne Manor movie theater, where he will giggle over the romantic interludes of films like “Jerry Maguire” and “Marley & Me.” In a later scene, he looks at photographs of himself as a child with his parents, who, as Batman fans are well aware, were tragically murdered. Despite the fact that Bruce Wayne is, as he proclaims, “the greatest orphan of all time,” he is wary of committing himself to family, friends, and even fellow crime-fighters and adversaries.
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When Barbara Gordon (Rosario Dawson, who will later become Batgirl) succeeds her father as commissioner, everything changes dramatically. Instead of acting as a lone vigilante, she prefers that Batman collaborate with the city’s police department in order to keep Gotham safe. As an added bonus, while attending a charity event for an orphanage, Bruce unwittingly adopts googly-eyed foundling Dick Grayson (a delightfully eager-beaverish Michael Cera), who later assumes his own super persona as sidekick Robin.
Without a doubt, the five writers who collaborated on this parody of Batmania have done their homework. However, the story comes to an abrupt halt before it can conclude with, what else, a dance number. Considering Mariah Carey provides the voice for Gotham’s pearl-wearing and pant-suited mayor, I suppose I should consider any movie that features her to be semi-applaudable. However, when it comes to humorous satire, the film is the one that has to sing even while it is stinging in the mouth.
For more personality quizzes check this: Despicable Me 3 Quiz.