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I grew up with the death of Bambi’s mother still fresh in our minds. With the death of Mufasa, the father of the lion cub who will one day rule the kingdom, “The Lion King” is set to premiere. The Disney animators are well aware that creating cute little cartoon characters is insufficient to create dreams for children. There must be dark corners, frightening moments, and ancient archetypes such as the crime of regicide to make the story compelling. “The Lion King,” a superbly drawn animated feature film, is surprisingly solemn in its subject matter, and it may even be too intense for very young children to watch in its entirety.
The film is the latest in a series of annual media events from Disney, which has reinvented its animated feature film franchise with films such as “The Little Mermaid,” “Beauty and the Beast,” and “Aladdin” in recent years. Inspired by the earliest feature cartoons created by Walt Disney himself, such as “Dumbo,” which featured Mrs. Jumbo being chained, and “Snow White and the Seven Dwarfs,” which featured a wicked stepmother, these more recent films have tapped into primal fears and desires in their characters. Later Disney films drifted off into the neverland of innocuous “children’s movies,” which were harmless but not particularly exciting, before returning to the present. Once again, these most recent four animated features are true “family films,” in that they are entertaining to both children and their parents.
“The Lion King” is the first Disney animated feature film that is not based on a previously published book or story. The film is also based on half of the stories from classical mythology, to put it another way. It tells the story of Simba, a lion cub, from his conception to his early childhood and eventual manhood. When the cub is born, the movie’s opening sequence, “The Circle of Life,” which is an evocative collaboration of music and animation, shows all of the animals of Africa’s veld congregating to hail their future king, serves as an announcement of his arrival. Using a dramatic spur of rock as a platform, the cute little cub is hoisted above the ground, and all of his future minions below him applaud him in what appears to be the jungle’s equivalent of a political campaign rally.
This confluence of zebra and gazelle, monkey and wildebeest, and other animals, of course, ignores the uncomfortable fact that many of these animals survive by preying on one another. (See also: And throughout the course of “The Lion King,” the filmmakers maintain a delicate balance between the fantasy of their story and the reality of life in the wilderness. Simba is introduced as a cute, trusting little tike who believes that everyone loves him in the first few scenes. He is completely incorrect. He has an adversary in the form of his uncle Scar, the king’s envious brother, who aspires to be king himself in the future.
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When it comes to Disney animated films, villains are often the most memorable characters, and Scar is one of the best. Scar is assisted by a pack of yipping hyenas who act as his storm troopers, which makes for a memorable combination. Scanning the face of Scar, one can discern the presence of actor Jeremy Irons’ ability to conceal a sense of sardonic humor. Scar is a well-mannered, cunning schemer who is successful in his attempts to bring about the death of King Arthur.
He then convinces Simba that the cub is to blame, and the guilty little heir flees into an unknown location in the wastelands of Africa. (The film makes a sly allusion to an earlier role in which Irons was well-known.) When Simba says, “You’re so weird,” he responds, “You have no idea,” in the exact same tone as he used in “Reversal of Fortune.” It is unwritten law that animated films must include some form of comic relief, which is usually in the form of a duet or trio of goofy characters who become friends with the protagonist. This time, it’s a meerkat named Timon (voiced by Nathan Lane) and a warthog named Pumbaa (voiced by Ernie Sabella) who keep Simba entertained during his long exile from his homeland.
The Lion King Quiz
A large number of other colorful characters appear in the film, including a hornbill named Zazu (Rowan Atkinson), who serves as King Mufasa’s confidant and advisor (James Earl Jones). Also included are three hyenas (voiced by Whoopi Goldberg, Cheech Marin, and Jim Cummings), who are a team of dirty tricks artists who fall over, squabble, and yammer as they go about their business.
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Of course, the early Disney cartoons were painstakingly animated by hand in the traditional manner. Over the last few years, there’s been much discussion about computer-generated animation, almost as if a computer program could somehow create a movie. That is not the case. Human animators are responsible for the remarkably convincing portrayals of Scar and the other major characters, who manage to combine human and animal body language in an unusually convincing manner. The use of computers did, however, aid in the creation of several remarkable sequences, such as one in which a herd appears to flow past the camera.
However, even with the addition of comic relief from the hyenas, the meerkat, and the warthog, “The Lion King” is less upbeat than “Mermaid,” “Beauty and the Beast,” or even “Aladdin.” The story’s central theme is a bleak one: a young cub has been abandoned and believes it is responsible for the death of its father.
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An uncle betrays a trust that has been placed in him.
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Moreover, beyond the gently rolling plans of the great savanna, there is a wasteland of bones and ashes to be discovered. While the musical comedy numbers in “The Lion King” are amusing, they are not as memorable as the songs in “The Little Mermaid” and “Beauty and the Beast.” With the exception of “Circle of Life” and “Hakuna Matata,” the songs in “The Lion King” are not as memorable as those in “Mermaid.” Essentially, what we have here is a drama, with a dash of comedy thrown in to lighten the mood. In the end, there is a surprising amount of seriousness; this isn’t the mindless romp with cute animals that the advertisements might have you believe it is. Despite the fact that “The Lion King” may be frightening and depressing to very young children, I believe it is a positive that the film deals with real-world issues. Children can better prepare themselves for more difficult lessons later on in life by processing the realities of life through stories. While entertaining, the Simba saga, which has roots in ancient Greek tragedy and certainly in Shakespeare’s “Hamlet,” is also a valuable learning experience for young children and adults alike.
For more personality quizzes check this: My Country My Parents Quiz.