Respond to these rapid questions in our The Lodge quiz and we will tell you which The Lodge character you are. Play it now.
Stepmothers always seem to have a difficult time assimilating into a new family in movies. They are frequently the antagonists of a story, the arbiters of cruelty and unwelcome change, a character exemplified perhaps best by Disney’s “Cinderella” character. Should the poor soul decide to make a genuine connection with her new family, she will be faced with the impossible task of dealing with a slew of emotions and prejudices directed against her. By default, she will almost certainly be regarded as an adversary.
Grace (Riley Keough), despite the fact that she is not yet legally recognized as a stepmother, is determined to put an end to any negative feelings people have toward her. While spending the holidays in a remote cabin with her boyfriend, Richard (Richard Armitage), and his children (Lia McHugh and Jaeden Martell), who are still mourning their mother’s (Alicia Silverstone, who makes a brief cameo appearance), she volunteers to spend more time with them. When their father must leave them in Grace’s care, the brother and sister team decide to show her how they really feel about Grace’s connection to their mother and her checkered past as a member of a cult, which they do predictably. Unfortunately, Grace loses her grip on reality and falls into an ending that appears too cliche and too simple for what the movie appeared to be aiming to accomplish.
The children are fiercely protective of their mother’s legacy, and the majority of the film is sympathetic to their viewpoint. Grace believes that their mother’s presence haunts the lodge both in spirit and through Catholic iconography, possibly causing her to feel guilty about ruining their parents’ marriage and, in the children’s opinion, ultimately leading to her suicide in the wilderness. On top of that, there’s the added torture of all the crosses, which bring back terrible memories of Grace’s cult days.
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This suspense thriller was directed by Veronika Franz and Severin Fiala, who collaborated with co-writer Sergio Casci on the script. Like their previous film, “Goodnight Mommy,” Franz and Fiala’s new film, “The Lodge,” plays on the fear that we will lose touch with our parents. When a woman recovering from extensive plastic surgery begins to act erratically, two brothers begin to question whether the woman is really their mother, as depicted in the earlier film. Eventually, their paranoia builds to a destructive crescendo, and they are forced to flee. According to the storyline of “The Lodge,” the children are predisposed to distrust their father’s new girlfriend, and they similarly torment her to the point where she is unable to recover. Even though there are some new scares introduced in “The Lodge,” such as Grace’s cult background and mental illness, the film ultimately feels like an English language remake of their own foreign language horror film.
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Many aspects of “The Lodge” are worth praising, particularly Keough’s portrayal of the title character. Her stoic expression makes it impossible for the children or the audience to understand what she is trying to communicate. Is she genuinely interested in building a relationship with them, or is there something more sinister lurking beneath her reserved demeanor? After a while, the niceties wear off and Keough brings an appropriate amount of unpredictability to the role as the twists and turns unravel.
Also, you will find out which character are you in this The Lodge quiz.
An additional strength of the film is the design of its namesake resort, which is another of its highlights. The rustic homeliness of “Hereditary” could easily be cited as a source of inspiration, but Franz and Fiala were already thinking about how they could use architecture to elicit an early sense of unease in the audience. The home in “Goodnight Mommy” has a contemporary modern appearance, with clean lines, minimalist designs, and a large number of windows. In many ways, it’s a house that’s too big for its young inhabitants, almost like a monochromatic labyrinth that keeps them deceptively trapped inside. A snow storm encircles them in “The Lodge,” which contrasts with the claustrophobic nature of the setting in “The Lodge.” According to cinematographer Thimios Bakatakis, the wood appears slightly too dark, the angles appear too sharp, and the light outside appears to be more bitterly cold than is normal for the time of year. The atmosphere in this place is strange, as if none of the characters should be present at all. In spite of the fact that the fireplace is burning brightly, the lodge never gets warm.
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Overall, Franz and Fiala play it a little too safe with “The Lodge,” not straying too far from a formula that they are well-aware has previously worked for them in other projects. Its eerie atmosphere and chilling plot handle most of the scares in “The Lodge,” which is more disturbing than scary in its approach to horror. The terrors of the film are not caused by an external or supernatural force, but rather by the cruelty that even children can harbor.Also, you must try to play this The Lodge quiz.
For more personality quizzes check this: The Wretched Quiz.
