Respond to these rapid questions in our The Marksman quiz and we will tell you which The Marksman character you are. Play it now.
It’s time for your annual Liam Neesoning: that cinematic tradition in which the seasoned actor portrays a grizzled character who possesses a specific set of skills that come in handy when dispatching bad guys and rescuing the good guys. Although “The Marksman,” this year’s entry in the subgenre, falls short of expectations in almost every way.
Neither the character Neeson portrays nor anyone else in the film offers much of a compelling story or character development. The plot is thin, the suspense is weak, and the action sequences are uninspiring in their execution. With “Trouble With the Curve,” director Robert Lorenz appears to be aiming for the kind of cranky-old-man-on-a-mission movies Clint Eastwood has directed and starred in recently—which makes sense, given that Lorenz has produced several Eastwood films over the past two decades, including “Million Dollar Baby” and “Gran Torino,” as well as directing him in “Million Dollar Baby.” However, while the sheen of such films is present here (perhaps even too much, given the subject matter), the substance is conspicuously absent. Neeson appears to be going through the motions despite his intimidating presence, even while kicking asses.
Rancher Jim Hanson, played by Liam Neeson, is a decorated Vietnam War veteran who lives a quiet life in southern Arizona near the Mexican border with his wife and children. The year has passed since his wife passed away from cancer, and he now spends his days patrolling the property he is in danger of losing to a bank with his trusty dog, Jackson. Towards the beginning of the film, we see him driving down dusty roads in his pickup truck, his dog riding shotgun, as the setting sun bathes the desert landscape in a warm glow. As he approaches his modest home, an American flag flutters in the distance in the foreground. With the help of cinematographer Mark Patten, this patriotic imagery is shot as if it were a commercial for Chevrolet trucks—all that’s missing is Bob Seger singing “Like a Rock.”
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Jim’s tranquility is shattered, however, when a mother and son cross the border into the United States from Mexico through a section of fence that borders his property. They’re on the run from vicious cartel members, and when the mother is shot, Jim agrees to carry out her dying wish that he look after her tween son, Miguel, while she is in the hospital (Jacob Perez). Interestingly, Jim expresses no political opinion on whether they should have entered the country in this manner; ever the pragmatist, he is more concerned with the prospect of having to deal with dead bodies on his property if immigrants succumb to the arduous journey to the United States.
The Marksman Quiz
The youngster is understandably stunned into stunned silence, but a Chicago address scribbled on a piece of paper dictates where Jim must take him in order to reunite him with his family, which is where Jim finds himself. Jim has managed to maintain his lack of Spanish despite years of living near the Mexican border (literally, the extent of his vocabulary is “famia” and “comida”), which seems both unlikely and irresponsible given his experience. Instead, he converses with the boy in a frustrated and exaggerated manner, and he reluctantly agrees to accompany him on this journey, believing that the backpack stuffed with cash that his mother gave him will assist him in paying off his debts.
Also, you will find out which character are you in this The Marksman quiz.
In contrast to the previous “Taken” films, this time he is the one who is being taken, albeit for a good cause. Most of “The Marksman” follows Jim, Miguel, and Jackson as they travel from Arizona to Illinois, with the cartel villains on their tail, led by an especially outrageous Juan Pablo Raba, as they try to avoid capture. All of these characters are flat stereotypes of violent, Mexican thugs; the script, written by Chris Charles and Danny Kravitz, isn’t interested in delving any deeper into their motivations or motivational issues. Even Miguel, who appears on screen for nearly the entire film, isn’t given much to work with beyond a few basic characteristics such as sweetness, fear, and a fondness for Pop Tarts. (He is, on the other hand, considerate enough to take Jackson for an early-morning walk while Jim is still recovering from the whiskey he consumed the night before.) Keep in mind that the dog’s subsequent appearance in a scene is the most stressful in the entire film, and it is also one of the most unnecessary, given that we are already fully aware of how dangerous the pursuers are.)
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Aside from the fact that the old-school Jim is proudly not carrying a cell phone, there aren’t many surprises on this journey. However, there are a few hiccups along the way, which are easily overcome. (Without the assistance of Yelp, he manages to pull into a small town in the Texas panhandle and locate the gun store on Main Street.) He has a stepdaughter, a border patrol agent who appears every now and then to track down his whereabouts and persuade him into turning himself into authorities. Katheryn Winnick plays a supporting role in the film, but she is barely there. In terms of the title, Jim doesn’t really get to put his sharpshooting skills to use until nearly the end of the film, right around the time his stern demeanor begins to soften, just as we predicted.Also, you must try to play this The Marksman quiz.
For more personality quizzes check this: Spiral Quiz.
