Respond to these rapid questions in our The Mustang quiz and we will tell you which The Mustang character you are. Play it now.
Prisoner Roman Coleman, who is a man of few words in a remote Nevada prison, finds himself unable to keep his temper under control in the sobering and humanistic character study “The Mustang,” directed by Laure de Clermont-Tonnerre. The severe lack of anger management that landed Roman in prison more than a decade ago, where he is still serving half of his sentence for a tragic case of domestic violence. In fact, after years of confinement, Roman, superbly portrayed by Belgian actor Matthias Schoenaerts (“Far from the Madding Crowd”) in a quiet, expressive performance, doesn’t hesitate to declare that he isn’t good with people anymore. He receives rehabilitation assistance from a prison therapist (Connie Britton) from time to time, but he remains a steadfast representation of tortured masculinity: broken, remorseful, and even angrier as a result of the sense of helplessness he feels as a result of his solitary confinement. As an outlaw, Roman would still be capable of committing a crime in the blink of an eye if “The Mustang” were to be a straight-up Western, as Clermont-film Tonnerre’s does throughout, with graceful, gentle traces of the genre. However, while incarcerated, his ticking time bomb of a rage finds alternate targets and explodes from his fists when he loses control of his emotions.. His interpersonal skills are lacking, and he is unable to help them in the same way.
The film follows in the tradition of horse movies by featuring an untamed, particularly wild stallion who comes into contact with Roman while he is required to participate in the prison’s “outdoor maintenance” program. However, this film is neither “Seabiscuit” nor “The Horse Whisperer” in the traditional sense; instead, Clermont-Tonnerre finds her inspiration and source material in the present day, in more austere and forgotten corners of the country.” It is revealed in the opening credits that there are approximately 100,000 mustangs roaming free in the wild across ten American states, and that the government can only provide support for less than a third of them. The remainder are sometimes adopted, sometimes hidden away in various long-term care facilities, or given to inmates in prison to train and then sell at auction through rehabilitation programs, among other things. The project for which Roman is recruited is an example of an optimistic initiative. The program, which is overseen by Myles, a seasoned and hard-bitten trainer-in-charge (played by a paternal and no-nonsense Bruce Dern, who slips into the role perhaps a little too predictably), pairs Roman with the wildest of horses and puts them through their paces. Will they, however, be able to break and tame one another’s will?
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The Mustang Quiz
The answer to that question may seem obvious, but in the course of the story, Clermont-Tonnerre (along with her co-writers Mona Fastvold, Brock Norman Brock, and collaborator Benjamin Charbit) patiently incorporates the duo’s gradual development of trust and friendship into the narrative. Attention: There is one instance of unexpected and non-fatal animal cruelty that may be upsetting to sensitive viewers. Meanwhile, Roman learns to mold and channel his energy towards a creature that is just as psychologically misplaced as he is, he develops a bond with the show’s regular Henry (Jason Mitchell, who deserves more screen time) and continues to accept visits from his pregnant daughter Martha (Gideon Adlon, who previously appeared on “Blockers”). In keeping with this storyline, the crowded group of co-writers establishes Martha’s past and relationship with her father in a series of gradually maturing scenes in which both Schoenaerts and Adlon deliver some of the film’s most powerful moments. As a result, the similarities between Roman and the beloved horse he proudly trains for the program’s final auction are never lost in the narrative.
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As a diversion from an otherwise intimate and focused film, the distracting drug smuggling plotline of “The Mustang” transforms into an emotional powerhouse in its final act, complete with the National Anthem and an unforgettable, heartbreaking final note. Clement Clermont-Tonnerre, in the same way that Andrew Haigh did with his novel “Lean on Pete,” brings an outsider’s curious and respectful eye into a marginalized part of Americana on the periphery, mining dashes of hope and kindness from unlikely situations. Clermont-Tonnerre and her cinematographer Ruben Impens capture the vastness of the grounds in the dusty, sun-dappled convention of Westerns, which is a perfect fit for her. With its tender message of forgiveness and second chances, “The Mustang” stands as a testament to the important stories that have yet to be told about the healing, unbreakable bonds that can form between tormented people and the misunderstood animals that come to their rescue.Also, you must try to play this The Mustang quiz.
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