Respond to these rapid questions in our The Suicide Squad quiz and we will tell you which The Suicide Squad character you are. Play it now.
In some ways, “The Suicide Squad” will be seen as a funhouse mirror inversion of James Gunn’s work on “Guardians of the Galaxy,” which was released earlier this year. After all, it’s yet another collection of underdog heroes who defy all odds in order to defeat an interstellar adversary in the final battle. It wouldn’t be entirely incorrect to refer to them as “Guardians for Adults.” However, it is The Toxic Avenger, rather than Starlord, who has had the greatest influence on this clever action comedy. Bringing his B-movie sense of humor and brazenly adult level of violence that he developed while working with Troma Entertainment in the 1990s to his first DC adaptation, Gunn has even included a cameo appearance from his mentor Lloyd Kaufman in the film. There is no one else who could have written something so gleefully grotesque, vicious, and unapologetically unapologetic, and the DC Universe is the richer as a result of it.
Gunn avoids many of the problems that plagued the opening scenes of David Ayer’s take on this corner of the DC Universe by dumping a dozen or so characters into the action at the start of the film (thereby not giving us a repeat of that hour or so of introductions from the Ayer misfire). For the record, this is a sort of half-sequel, half-reboot in which some of the same actors reprise their roles from the previous films, but it is also very much a standalone film. The Ayer is not required viewing (and probably should not be), but it is also not entirely a new experience from the beginning.
For example, Viola Davis, who reprised her role as Amanda Waller, the head of something known as Task Force X, is one of the returning characters from the previous film. He or she is in charge of what amounts to the Suicide Squad, a group of superpowered criminals who are sent into battle with chips implanted in the backs of their skulls to give them an edge. Go off-mission, and then go boom. Don’t listen to what people are telling you to do; instead, go boom. If you say something wrong to Waller, you’ll get blown up. The majority of these anti-heroes are never seen again. As a result, the name.
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Waller has gathered a group of people to drop off the coast of Corto Maltese, a South American island in the Pacific Ocean. This ragtag group is led by the charismatic Rick Flag (a solidly heroic Joel Kinnaman, who is used much more effectively here) and the eternally twisted Harley Quinn (Margot Robbie), but it also includes the likes of Captain Boomerang (Jai Courtney), Blackguard (Pete Davidson), Javelin (Flula Borg), Mongal (Mayling Ng), and the nightmare fuel known as the Weasel (Sean Gunn Savant (Gunn regular Michael Rooker) joins Corto Maltese on his first mission, and for the first half of the film, he serves as the film’s primary protagonist.
The Suicide Squad Quiz
Characters are still in the early stages of development. Make a list of everything.
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During the same time period that this group is on its way to certain death, another collection is landing on the opposite beach, effectively allowing team one to act as a distraction for the other collection. “The Suicide Squad” revolves around its core characters, who include the born leader Bloodsport (Idris Elba), the blindly patriotic Peacemaker (John Cena), the insecure Polka-Dot Man (David Dastmalchian), the endearing Ratcatcher 2 (Daniela Melchior), and the unforgettable King Shark (Sylvester Stallone), whose primary superpower appears to be his desire to devour his enemies (and possibly his friends if it comes to that). As soon as this core is joined by Flag and Quinn, the movie really gets going, sending the team off to demolish a Nazi-era prison deep in the heart of the island, where it is discovered that a powerful alien creature named Starro is being held captive. There is a great deal of confusion.
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But directing this kind of sensory assault while staying on track and not getting lost in the noise is much more difficult than it appears, and it is Gunn’s greatest accomplishment in this film. He never loses sight of the characters in the midst of the action, as so many poor modern blockbusters have a tendency to do. “The Suicide Squad” may feel like a rollercoaster without brakes, but it is actually a very well-calibrated action comedy that alternates humorous beats with intense violence in a very well-calibrated fashion throughout. After all is said and done, this is the most insanely violent superhero blockbuster to date, making “Deadpool” look positively tame in comparison. Rather than simply veering into adult territory with his violence, Gunn embraces the R rating that Marvel would never grant him, allowing limbs to be ripped from bodies and the deaths of his characters to be accompanied by a gross, sticky sound. A film that is playful in its action in ways that most modern blockbusters aren’t allowed to be is what this is all about for me. The obvious joy and excitement that Gunn and his team are experiencing is contagious, and this type of excitement can be contagious. Customers recognize when a filmmaker is simply acting on behalf of a corporation or organization. The films that endure are those in which this does not occur, and Gunn is delivering this message from the depths of his Troma-raised passionate heart.
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He’s also a surprisingly underappreciated filmmaker when it comes to balancing a comedic tone with his ensemble cast of characters. “Guardians” films had a fresh feel to them because they brought back memories of things like charisma and playfulness, both of which are present in abundance here as well. Robbie knows Quinn like the back of her hand by this point, and Gunn seems to be returning her to her roots (even if it’s just in terms of color palette) a little more than Ayer did. Elba has finally landed a significant action movie role in which he excels, and the discussion about how he would still make an excellent James Bond should begin again. In his character’s conflict over being forced into heroism, he’s charismatic and even manages to find some depth in the conflict. They’re the standouts, but everyone here contributes to the success of the event by bringing their own joy to it, which is a testament to Gunn’s ability to work with large groups of people.
In the same way that so many modern superhero films do, “The Suicide Squad” becomes a little tedious and repetitive after a while, and it’s disappointing that a film based on a subversive template ends with heroes and villains crashing into crumbling buildings once more. Without giving anything away, there is an element of the final scenes of “The Suicide Squad” that I found delightfully amusing, but they also become overly familiar in their “big boom, building falls down” structure, which I found to be a little too cliche. Despite the fact that the film is extremely well-made, it suffers from a lack of ambition in the final third. The underdog is once again at the center of Gunn’s attention, just as the film seems to be about to spiral out of control and back into blandness. Gunn manages to regain control of the film just as it appears to be about to spiral back into blandness. Anyone named The Toxic Avenger, Rocket Raccoon, or The Polka-Dot Man is the same to James Gunn, who sees them as people who have the potential to be heroes if only given the opportunity.
On August 6, the film will be released in theaters and made available on HBO Max.
For more personality quizzes check this: Candyman Quiz.
