Respond to these rapid questions in our The Turning Quiz and we will tell you which The Turning character you are. Play it now.
Even if “The Turning” scares you to death, it will almost certainly be out of frustration at the film’s abrupt and unsatisfactory conclusion, rather than from the actual frights that occur before it.
Floria Sigismondi’s grunge-inspired adaptation of Henry James’ classic and frequently adapted novella “The Turn of the Screw” radiates style and mood in her direction of this latest version of the classic novella. With her extensive musical video experience—clips for Marilyn Manson’s “The Beautiful People” and Justin Timberlake’s “Mirrors” are just a couple of notable examples from her extensive filmography—the veteran director creates an unsettling atmosphere that is both quickly and thoroughly immersive. The James source material, which has been most famously adapted into the 1961 film “The Innocents,” starring Deborah Kerr, is straight-up Gothic horror at its best. Things go bump in the night in this chilly, sprawling mansion, where windows and doors slam shut on their own and whispers down dusty hallways eventually turn into screams as things go bump in the night.
Without a doubt, despite the elegant trappings, nothing positive will transpire here. However, the imagery becomes repetitive—you can only see so many skittering spiders and severed doll heads before it becomes tedious—and the talented supporting actors reach a point where they can no longer convey the depth of their characters’ personalities in the script written by “The Conjuring” writers Chad Hayes and Carey W. Hayes. That, and the abrupt shriek and shrug at the end, which feels a little out of character for me. Also, you must try to play this The Turning quiz.
The Turning Quiz
Mackenzie Davis, who plays Kate, a kindergarten teacher who is excited about her new job as a live-in instructor and governess for a young orphan, is full of optimism at first. The nannying position here is vastly different from the one Davis held in “Tully.” Despite the fact that the setting has been changed to the somber spring of 1994, as evidenced by television coverage of Kurt Cobain’s death, Kate remains upbeat throughout the film. In her skeptical roommate’s presence, she explains, “I’m going from 25 screaming kids to one little girl.” “How difficult could it possibly be?” Also, you will find out which character are you in this The Turning quiz.
However, once Kate arrives at the foreboding estate, she quickly realizes that she has much more to deal with than her bright and bubbly second-grader Flora (played by Brooklynn Prince, who previously appeared in “The Florida Project”). Besides that, she must contend with (and compete for authority) with Mrs. Grose, the home’s long-time housekeeper, who is angular and antagonistic (Barbara Marten). After a few weeks, Flora’s arrogant teenage brother, Miles (Finn Wolfhard of “Stranger Things”) arrives unexpectedly from boarding school, bringing with him some of his own secrets. It is only after this that the legend of what happened to Flora’s previous teacher, along with the riding instructor with whom Miles had formed a strong bond, begins to come into sharper focus.
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Catherine Sigismondi’s first feature film, “The Runaways,” was released in 2010. This is her second feature film after the 2010 rock biopic “The Runaways,” and she establishes Kate’s sense of isolation early and often by photographing her from a distance on the estate grounds, her bright, red coat standing out against the cold, gray facade of the house. An endless cloud cover blankets the sky, making even a leisurely stroll past the koi pond or horseback ride through the woods an occasion for dread rather than delight. In the many creepy corners of the cavernous estate—hidden hallways, an abandoned sewing room, a garishly wallpapered bathroom—cinematographer David Ungaro performs deftly, alluding to a deep-seated evil that never truly manifests itself. And the ominous strings of composer Nathan Barr’s score are a significant factor in making us feel on edge throughout the film.
While Davis convincingly portrays her character’s descent into madness, the film’s ultimate question is whether the origin is internal or the result of her surroundings. Davis’ performance is particularly noteworthy. Each morning after yet another restless night, you can see her becoming more frail and frazzled as the day progresses. Davis is up for the challenge of playing a role that is both physically and emotionally exhausting. As Kate begins to realize what she’s gotten herself into—and that she won’t be able to get herself out of for a variety of reasons—the look on her face is both chilling and unnerving. When Prince appears on screen, he exudes an unsettling sense of vigor that is devoid of any trace of child-actor cuteness, and Wolfhard continues to demonstrate his versatility with this surly and subversive portrayal.
“The Turning” suggests the devastation that can linger as a result of childhood trauma, and its actors appear willing to delve deeper into the subject, but in the end, the film only scratches the surface of this difficult subject.
For more personality quizzes check this: Fantasy Island Quiz.
