Respond to these rapid questions in our Transformers The Last Knight quiz and we will tell you which Transformers The Last Knight character you are. Play it now.
The film “Transformers: The Last Knight” opens and closes with a sense of disorder. In Michael Bay’s reimagining of the Knights of the Round Table, the first scene features bodies flying everywhere as flames pierce the sky. Merlin’s magic is revealed to be a gift from the alien robots that so many people are familiar with and enjoy. The final scenes, which will come as no surprise to anyone who has seen a Michael Bay film, show bodies flying everywhere as metal and flames pierce the sky. There’s a bit of mythology, a lot of running and screaming, a lot of slo-mo, a pinch of racism, a great actor wasted in a character who could have been named “Exposition Dump,” and a lot of incoherent noise that you’ll want to bang your head against the seat in front of you just to get some rest. –
After two sequels that took the fun spirit of the original film and turned it into something with the artistic depth of a Monster Energy Drink, Bay appeared to be resurrecting the franchise with the relatively solid “Transformers: Age of Extinction,” which received positive reviews. The director found one of our most charismatic leading men in Mark Wahlberg, gave him an awesomely perfect name like Cade Yeager, assembled a better-than-average supporting cast, and orchestrated large-scale set pieces around the world, including wreaking a little more havoc in Chicago. Even though “AoE” was plagued by Bay Bloat (which lasted 165 minutes!) and some of the other technical issues that plagued the previous sequels, it represented a ray of hope.
During the film “Transformers: The Last Knight,” Hope is killed. Right from the get-go, this is a jumbled, incomprehensible mess. Cade’s daughter and her boyfriend, both memorable characters from the previous film, are no longer in the film, with the daughter written off with a couple of horrendously manipulative beats about her being at college and Yeager being on the run, while the boyfriend is still on the run. He has the ability to save the world, but he is unable to see his daughter. Whatever, that’s fine, but Stanley Tucci (apart from a brief cameo as Merlin in the opening scenes) and Kelsey Grammer are also no longer in the film. It is Quintessa (Gemma Chan) who serves as the film’s villain, replacing the original film’s villains with entirely computer-generated characters. Quintessa is an interstellar being who wishes to destroy Earth by crashing the Transformers’ home planet and Earth into one another. She’s such a cartoonish, poorly designed villain that she never comes across as a genuine threat to the audience.
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Getting ahead of myself, I’ll say “The Last Knight” picks up where the previous film left off, to a certain extent. Optimus Prime is on his way back to his home planet, where he will tell the universe to keep its hands off Earth. Yeager has now gone into hiding because being a massive alien robot is still considered illegal under international law, and he remains loyal to the remaining Autobots. The fact that he’s “hiding” in the largest auto field in the Midwest is understandable, but when it comes to a summer blockbuster, it’s easy to overlook those kinds of logical leaps. Jerrod Carmichael has joined the team as his new assistant, and he’s working on repairing Bumblebee with a spunky preteen sidekick who reminds me of the characters that sitcoms used to introduce late in their run when everyone realized the original kids were too old (think Sam on “Diff’rent Strokes”). In the end, virtually all of the prelude—including any sort of immigration analogy about the fear of foreigners represented by the pursued Transformers—is thrown out the window. There’s a point in the script where you can tell it was written by a different writing crew because the script has a distinct tone. It starts out as one movie, but then takes a bizarre hard right turn into England and transforms into something completely different.
Transformers The Last Knight Quiz
In fact, while investigating an abandoned transformer, Yeager discovered an artifact which links him to the long and illustrious history of the aliens. I believe that as the budgets of these films have grown, Bay has piled on more and more mythology, and that the reason this is being billed as the final chapter is that there is literally nowhere else for him to go. We learn that the Transformers have been known about for centuries, thanks to the expository scenes provided by Sir Anthony Hopkins and John Turturro, and that notable geniuses such as Mozart and Franklin D. Roosevelt assisted in keeping their existence a secret. In exchange, the robots gave gifts to the human race, including the Transformer watch that was used to assassinate Adolf Hitler. Those aren’t made up words, believe it or not.
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Introducing the mythology of these killer cars into world history is not a bad idea, and it reflects the fun and lighthearted nature of these films (I’d watch the hell out of “Bumblebee vs. The Third Reich”), but it is all handled so thinly and poorly here. It takes a few minutes before the revelation that Cade now has a connection with the Transformers (because of the talisman and other nonsense I couldn’t begin to explain) and that his new gorgeous friend Vivian (Laura Haddock) is the only one who can wield Merlin’s staff, a skill that is required to save the Earth, sets us back on our way.
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If you’re thinking, “How could a movie that weaves together metal dragons, Merlin’s staff, Sir Anthony Hopkins, and world-destroying aliens be all that bad?” you’re not alone. “How could a movie that weaves together metal dragons,” you say. For the simple reason that it isn’t enjoyable. “The Last Knight,” more than any other film directed by Bay, is incoherent to the point of being parodic. The action scenes are poorly choreographed, the dialogue is weaker than it has ever been, and the plot twists are completely illogical. I couldn’t figure out why the leads were on a submarine at one point, and I couldn’t figure out where they were going. Apart from the fact that it is obvious that no one involved cared about the plot (Wahlberg has never given such a sluggish performance as he does here), the editing and special effects are also of the worst quality possible. There is no sense of place in any of the scenes, so it’s impossible to tell what the hell is going on. After all, the last film had a few action set pieces that worked, and the third film had the destruction of Chicago to astonish and awe audiences. This film does not contain a single action sequence that stands out in any way. Furthermore, the film begins at such a ridiculous pitch that it has nowhere to go but up: Yeager is reintroduced, this time while shooting a robot in slow motion. Bay has always been willing to sacrifice elements such as rising action and building tension in order to keep viewers glued to their seats from the first frame to the last. However, it becomes extremely exhausting to sit through another movie that starts at 11 and never changes the volume.
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When the chorus of Critic-Proof Franchises starts singing, you know you’re in the right place. Michael Bay made this film for the fans of the franchise, not for the critics who are notoriously harsh on the franchise. It will go unnoticed by diehards that I enjoyed the first film and portions of the third and fourth films (the second is still a cinematic abomination). I understand what you’re saying. We have a strong desire to overlook the failures of franchises that we adore. Even the most ardent critics do it. Even fans of the series, however, must take a hard look at the film’s outright, shocking laziness—a film that does the bare minimum to get buttocks in seats—in order to appreciate it. It’s not uncommon to see a glimpse of artistic potential gone awry or attempts to entertain that just didn’t work in a bad action movie. I started actively looking for it here, trying to figure out where things went wrong and how they got so out of hand. I came to the conclusion that no one seemed to care about what I had to say. Even among fans, there is a lack of effort to make the story make sense or to keep it entertaining. It was a contractual requirement, as well as a paycheck. “Transformers: Someone Needs a New Beach House” could have been the title of the film.
For more personality quizzes check this: War For The Planet Of The Apes Quiz.
