Respond to these rapid questions in our Welcome To Marwen quiz and we will tell you which Welcome To Marwen character you are. Play it now.
Phillipe Petit, an acrobat who performed a high-wire crossing of the chasm between New York’s Twin Towers in 1974, was the subject of the 2015 film “The Walk,” directed by Robert Zemeckis and based on a fictionalized version of Petit’s life. Lots of people thought there wasn’t much point to this (aside from giving actor Joseph Gordon-Levitt, who played Petit, the opportunity to don an absolutely ridiculous French accent), given that an excellent documentary about Petit and his feat, “Man on Wire,” had opened to critical acclaim and an unusually high box office for a documentary back in 2008.
However, despite the fact that documentaries are now more prominent than they have ever been in the mainstream discussion of movies, they still lack the potential reach of Hollywood product (although “The Walk” proved to be a disappointment in that regard). Even his more ostensibly realistic films like “What Lies Beneath” and “Flight” were heavily influenced by special effects in ways that weren’t always immediately apparent. And Petit’s story provided the raw material that allowed Zemeckis to productively play with the special-effects toolboxes he’s been assembling since relatively early in his directorial career (see, for example, “Who Framed Roger Rabbit,” “Death Becomes Her,” “Beowul
As does the true story of Mark Hogancamp, a Catskills native who once made his living designing and building showrooms for trade shows, which is told in a fictionalized form. A group of men overheard him discussing his enjoyment of women’s shoes in a bar in 2000, and he admitted that he had done so in the past. In response to his candor, the five men who were with him beat him nearly to death, resulting in his death. His memory of his previous life and the beating was completely gone when he emerged from a coma, and he had to relearn how to walk. Following the expiration of his Medicare benefits, he moved into a trailer home and began creating a miniature city, populating it with dolls dressed in period costumes, and photographing the adventures of the dolls in the city. They take place during World War II in Belgium and revolve around a single male United States Army Captain and the attractive women with whom he battles Nazis, who in this world tend to attack in groups of five at a time.
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In 2010, the “art world” came across Hogancamp’s photographs and invited him to exhibit them there. Hogancamp and his work were also the subject of the excellent documentary “Marwencol,” which was released in 2010.
Welcome To Marwen Quiz
The fact that Zemeckis has cast a group of first-rate human actresses to play not only the dolls, which in Hogancamp’s imagination function like real people, but also the women from his world who inspired the dolls, suggests that this story may be catnip for him. In “Welcome to Marwen,” Steve Carell portrays Hogancamp, and Leslie Mann, Janelle Monae, Merritt Weaver, Eiza González, Stefanie von Pfetten, Leslie Zemeckis, and Diane Kruger portray “the women of Marwen,” all of whom have a corporeal existence outside of Mark’s fantastic world. “Welcome to Marwen” is directed by Steve Carell and stars Leslie Mann, All characters, with the exception of Deja (Kruger), a “Belgian witch” whose symbological function in the complicated in description but not too difficult to follow on screen narrative will be easily detected by anyone with an ability to match colors, will be easily identifiable.
Also, you will find out which character are you in this Welcome To Marwen quiz.
The fictional narrative was created by Robert Zemeckis and Caroline Thompson, who wrote the ultimate “different kind of guy” scenario in the film “Edward Scissorhands” many years ago. And it was at this point that my issues with “Welcome to Marwen” began to manifest themselves. After seeing “Marwencol” and becoming more familiar with the real-life Hogancamp’s story, I came to the conclusion that the frills and filigrees of a romantic comedy and redemption tale that were inserted into the film were a cheapening and coarsening of Hogancamp’s real-life story.
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According to Hogancamp, who appears in the documentary, he was a hardcore blackout alcoholic prior to being beaten by the police officer. When he awoke from his coma, he discovered that not only had his memory been erased, but so had the compulsion to drink. This fact registers as something galvanic in the documentary: the idea of having your brain so thoroughly rearranged in order to somehow cure a disease of the mind and spirit is strangely terrifying to contemplate, as the documentary demonstrates. The fact is simply ignored in the film, in order to allow Carell’s character to develop a creepy obsession with his new neighbor Nicol (Mann), while completely ignoring another real-life Woman of Marwen who has strong feelings for him. In addition, he was able to avoid the sentencing hearing of the thugs who beat him up due to trauma flashbacks and other such issues. The posters for this film remind us that director Robert Zemeckis also directed “Forrest Gump,” and this film explicitly Gumpifies Hogancamp, who I hope received a large bag of cash in exchange for allowing the indignity to be brought upon him.
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Because I believe in artistic license, I’m not bothered by it when a film that claims to be “based on a true story” plays fast and loose with the facts while still delivering the goods. In addition to talking about “punching up” and “punching down,” people also talk about “distorting up” and “distorting down,” which I suppose are both things. I still consider Hogancamp to be an underdog, and I came away from “Welcome to Marwen” with the impression that he had been robbed of his own agency and reduced to the level of a cow-eyed dunderhead Candide who was only more voyeuristic than the rest of the cast and crew. Hogancamp’s portrayal by Carell as a quintessential Carell milquetoast is a choice I place less blame on the actor and more on Zemeckis and perhaps the entire damned Hollywood system as a whole.
The documentary shows Hogancamp as a (necessarily, given his brain injuries) shambling, gruff figure who keeps a cigarette in his mouth at all times, as shown in the film. The filmmakers allowed the fictional Hogancamp to have his coffin nails as well in “Welcome to Marwen,” but you never see Carell take a drag from his coffin nails. Throughout this sentimental film, this is a theme that is repeated over and over.
The special effects, on the other hand, are vibrant, colorful, and convincing. There is a point where they aren’t quite good enough to make you forget that the WWII fantasy scenarios being enacted therein are clichéd constructions being reenacted in high heels.
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