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Rose Garcia (Eva Noblezada), a 17-year-old with a guitar in her hand and a cowboy hat on her head, embodies biculturalism. She is an undocumented Filipino-American with a passion for country music, and she sings about feeling like she doesn’t belong, about being a “velvet chair in a dusty saloon,” among other things. Throughout writer/director Diane Paragas’ uneven fiction debut, “Yellow Rose,” the feeling of alienation permeates the narrative as the magnetic heroine travels from one supposedly safe haven to the next, yearning to find solid ground in her life.
Even though she wasn’t born there, Rose considers small-town Texas to be her home, and it is also where her mother (Princess Punzalan) works as a maid at a motel. She developed a strong affinity for a musical genre that is difficult to separate from the idea of whiteness in the United States, which was most likely influenced by her geographic location. Nonetheless, she claims it as her own and is taken aback every time her voice produces a song. She may feel at home in the United States, but the harshness of the immigration system will eventually catch up with her. When she returns home from her first trip to Austin with a soft-spoken crush named Elliot (Liam Booth), she discovers that ICE has detained and arrested her mother. Her fragile sense of security is shattered in an instant.
The stakes are significantly higher here than, for example, for young women embarking on similar journeys to break into the entertainment industry in films such as “Wild Rose,” which is a closely related example, or “A Star is Born,” because neither of those characters faces the looming threat of racial discrimination or being deported to a country they barely remember in “Wild Rose.” Rose’s dream is not only the fulfillment of her talent’s promise, but also a chance at salvation—and a disheartening one at that, because she is unable to be with her mother during the process. The contrast between her uncertainty about her legal status and her embrace of Americana is both fascinating and ironic.
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In the way that cinematographer August Thurmer’s camera briskly chases after Rose whenever an ally fails to materialize, Paragas conveys the urgency of Rose’s plight to the audience. As a result, she finds herself constantly on the move. Although some of the messaging and most dramatic beats (such as a second ICE raid) are a bit heavy-handed, there are still some excellent choices among the many options available in “Yellow Rose.” One of the filmmaker’s most wisest emotional moves is to create spaces for tender moments where Rose sings mournfully or, like a Filipino lullaby, is moved by a song she hears. This is one of the film’s most powerful emotional moves.
Yellow Rose Quiz
With Rose’s erratic living arrangements, Paragas can introduce a diverse range of secondary characters, including a fellow immigrant, a kindhearted bar owner, and singer Dale Watson, who appears as himself in the film (without much success in the acting department). The one encounter with her aunt (Lea Salonga), who is married to a wealthy white man who is uninterested in assisting Rose, deserves to be explored in greater depth. The aunt’s remorse for having abandoned her Filipino family in exchange for a comfortable life in the suburbs speaks volumes about the high price of assimilation as a means of achieving socioeconomic prosperity.
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As a true star making her feature film debut, Noblezada captivates us with a combination of heartbreaking sadness and endearing exuberance in her performance. Her presence saves the film from its own stiltedness on a number of occasions throughout the film. With a song like “Glasgow,” the singer and actress doesn’t have the same kind of awe-inspiring moment that Jessie Buckley’s character does at the end of “Wild Rose,” but their paths are similar in that they both go from staring failure in the face to accepting an imperfect version of their dreams.
About the quiz
The film “Yellow Rose” portrays an American identity that is rarely seen in the media and challenges preconceived notions about who can be a country music fan or performer, despite the fact that it is not as lyrical as it could have been. However, Paragas includes far too many variables in the story, the majority of which necessitate a more thorough investigation than is provided. This is especially true in the case of Rose’s future immigration concerns, which are a source of concern. By the time we see her doing what she loves the most, we are filled with questions about how she will move forward in a hostile reality that hasn’t changed at all since the beginning of the film. Her problems have remained virtually unchanged. At the end of the day, the neatly wrapped resolution leaves you with a sense of unfinished business, much like a concert that ends with you anticipating an encore.Also, you must try to play this Yellow Rose quiz.
For more personality quizzes check this: Greed Quiz.
