Respond to these rapid questions in our Vertigo movie quiz and we will tell you which Vertigo movie character you are. Play it now.
Detective John (“Scottie”) Ferguson (played by James Stewart) withdrew from police because, following a roof chase, a colleague died, he got a paralyzing dread of the height. However, on the instigation of a friend of his college, Gavin Elster (Tom Helmore), who wants Stewart to follow his wife, Madeleine (Kim Novak), and find out how her particular behavior was intended. Stewart falls in love with her suddenly, only to witness her suicide. Scottie afterward met Judy Barton (Novak) in the devastation of Madeleine’s death and replaced them obsessively in the image of the dead Madeleine.
But Scottie doesn’t realize that Judy knew him already because she pretended to be Madeleine as an Elster’s ploy to hide the assassination of her wife.
Stewart portrayed the most challenging part of his career by forsaking his American character to depict a guy driven by his obsession with a woman he fears can never have at the forefront of insanity. Novak was the epitome that Vera Miles had to reverse when she became pregnant in the Hitchcockian ice blonde’s role.
Vertigo is the most personal film of Hitchcock, with Scottie’s obsessive refocusing of Judy in Madeleine a metaphor of Hitchcocks leading women in his films. It is also known to recreate the feelings of vertigo with its revolutionary camera methods.
Vertigo movie quiz
Judy begins to prepare a suitcase as soon as Harry leaves to let her change her clothing. She hesitates to do, sits down, and writes Scottie a letter. She reveals in it that Gavin Elster had recruited her to play Madeleine’s role in an act to kill his wife. Judy confesses that Elster was waiting with his wife’s already dead body dressed as Judy at the top of the bell tower, whom he flung off for Scottie to witness. By expressing her love for Scottie she closes her letter. She shreds up the letter after a short hesitation. Also, you must try to play this Vertigo movie quiz.
Scottie and Judy have dinner and Scottie’s main interest in Judy are obvious insofar as she resembles Madeleine’s dead ones. He develops his infatuation and insists that Judy teats her hair and wears the same clothes that Madeleine wears. Initially, Judy protests, but soon realizes that Scottie would rather be adored than lose all his affection. When she goes back from the beauty center, her change is complete. Avidly they kiss. The next stage will be when Scottie will notice that Judy’s necklace is Carlotta’s necklace and that Madeleine was wearing it on its day of death.
He knows the genuine identity of Judy but does not immediately say anything.
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Rather, Scottie tells her that he wants to ride the country and starts to drive to San Juan Bautista. Judy gets more and more frantic, knowing that Scottie is suspicious. Scottie in fury pulls Judy up the tower steps and confronts her disappointment. She admits her culpability but professes to love Scottie still and pleads for forgiveness. They go up and up until the shadowy figure of a nun interrupts them. The ghostly form so shocks Judy that she shouts and falls to death from the tower.
Alfred Hitchcock took universal feelings, such as dread, culpability, and lust, put them into common characters. And turned them into visuals rather than words. His most common role, a wrongfully accused innocent man, was deeper than superficial supermen in today’s action films. Which Vertigo character are you?
He employed obvious pictures and rounded them in a nuanced setting, in two ways: he was a superb visual stylist. Take into account how he proposes the vértigo of James Stewart. An initial picture shows him dancing down a street on the steps of the ladder. Flashbacks demonstrate why the police departed.
Hitchcock creates a classic scene showing his viewpoint: a mission’s bell tower terrorizes him, Hitchcock showed the walls approached and receded at the same time by using a model from within the tower and zooming into the lens while physically pulling the camera back. Space has the logic of a nightmare. But then observe the less clear manner in which the film seeps into the idea of falling as when Scottie drives down the hills of San Francisco, but never up. Note how he “falls” in love really.
For more personality quizzes check this: The Beatles Quiz.
