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With “Lord of the Rings: The Two Towers,” it is evident that director Peter Jackson has tipped the scales decidedly in favor of the classic action protagonists of the Tolkien trilogy and against the hobbits. Aragorn (Viggo Mortensen) is now the movie’s leading man, and the hobbits spend the majority of the time away from the action. An epic combat scene that would undoubtedly shock the amiable medievalist J.R.R. Tolkien takes up the majority of the final third of the film.
The critic’s job is to determine whether or not this change hurts the film. There isn’t. One of the most spectacular swashbucklers ever produced, “The Two Towers” may actually be more well-liked than the first part, “The Fellowship of the Ring,” given the current audience preference for brutality. Although it is not true to Tolkien’s spirit and loses a lot of the charm and whimsy of the books, it still succeeds as a visionary mystery on its own. In my review of the first movie, I bemoaned the hobbits being underutilized, but with the second movie, I must take that as granted and move on.
A thrilling journey, “The Two Towers” skillfully combines computer animation and special effects, and it features scenes of breathtaking beauty. It also offers us one of the most captivating and convincing CGI creatures I’ve ever seen in the form of the Gollum character. The Gollum has a split personality and, except for when his evil side takes over during spells, acts as a guide and companion for Frodo (Elijah Wood) and Sam. The Gollum was long in possession of the Ring, now entrusted to Frodo, and laments it (“my precious”) most painfully. (Sean Astin). His body language is a dance of flattery and deception.
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Another computer-generated character introduced in the movie is Treebeard, a tree that speaks and walks and takes a very long time to decide. Treebeard explains to Merry and Pippin that being slow is a virtue. I would have assumed that a talking, walking tree would be ridiculous and ruin the magic of the film, but this mossy old thing has a certain grandeur.
The Lord Of The Rings The Two Towers Quiz
In keeping with the long-standing tradition of movie serials, the movie begins with a brief recap of the epic battle between Gandalf (Ian McKellen) and Balrog, the monster made of fire and smoke. As Gandalf puts out the creature’s flames, he transforms into Gandalf the White, following the ancient tradition of movie serials.
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The enemy is Saruman (Christopher Lee), who leads a sizable army of Uruk-Hai warriors against the fortress of Theoden. To summarize the convoluted tale in one or two sentences: (Bernard Hill). Even though Aragorn courageously enters the battle, the computer effects that produce the castle, scenery, armies, and the majority of the action are the true heroes.
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The majority of “The Two Towers”‘s graphics can be seen for extended periods of time. While we are aware that Aragorn and his companions’ attack down a narrow fortress bridge will result in some figures falling to their deaths, as well as everything else on the screen, the effect of the action is undeniable. Like some of the greatest silent film directors, Peter Jackson is not afraid to use the full screen to present expansive and intricate images. In the crannies, he paints.
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Much character depth is what one loses in the thrills of these epic splendors. The main characters are all outlined with one or two characteristics before being further defined by their deeds. The titular hero, Frodo, spends a lot of time looking over and around things, letting others decide his fate, and rarely casting a significant amount of attention toward the Ring. Sam is his devoted ally in the stands. During a pivotal portion of the film, Merry and Pippin are seen riding in Treebeard’s branches and gawking at everything as if they were young children being held by their father. The fellowship from the first film has been split into three for this one, and Aragorn, who follows in the footsteps of Viking swordsmen and medieval knights, is the main focus of the action.
The specifics of the story—who is who, why, and what their backgrounds and characteristics are—remain unclear to me. I am in awe of the real students of the Ring even though I am familiar with the broad strokes and I reviewed the first movie on DVD the night before seeing the second. The attraction of movies lies in their visuals for the casual viewer, which is to say, for the majority of us. Huge caves, powerful towers, dwarves, elves, Orcs, and the aforementioned Uruk-Hai can all be found here. (who look like distant cousins of the aliens in “Battlefield Earth”). And they’re all set within Jackson’s expansive canvas, which has breathtaking New Zealand scenery as its background.
It’s possible that “The Two Towers” will be more well-liked and successful than the first movie, but hasn’t Jackson lost sight of the story’s initial intent somewhere along the way? He has recreated a charming and distinctive piece of literature using the language of the contemporary action movie. A Middle-Earth adaptation of “Conan the Barbarian” is what Tolkien would have created if he had wished to write about a race of supermen. But no. He related a story in which the protagonists were pious little hobbits. And Jackson has now guided the narrative into the center of action. Although he merits praise for what he accomplished in this movie, staying true to Tolkien would have required even more courage and difficulty.
For more personality quizzes check this: Schindlers List Quiz.
