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The saying “the personal is the political” has been repeated over the years, and it is undoubtedly one that merits thought in the wake of events like the recent Roe v. Wade decision by the US Supreme Court, for example. The late critic Terry Teachout, who strongly disagreed with the idea, said: “It all goes back to that slogan I loathed the first time I heard it—the personal is the political. No, the private is private,” he wrote in 2004. After all, he was a conservative.
In this unexpected and touching documentary, director Laura Poitras (“Citizenfour,” “Risk”) and her subject Nan Goldin discuss a variety of topics, including how money impacts both the political and the personal whether you choose to separate them or not. In “All the Beauty and the Bloodshed,” photographer Nan Goldin provides extensive and vivid chunks of the photographs that she displayed in 1985 as the slideshow that gained her notoriety, The Ballad of Sexual Dependency. Since then, her creations have been shown in illustrious and esteemed museums. She had previously worked tirelessly as an AIDS activist, and after having a near-fatal overdose of painkillers, not to mention the deaths and downward spirals into addiction of countless colleagues, she felt forced to investigate into a troubling reality.
That is to say, a lot of the illustrious and esteemed museums that featured Goldin’s artwork had accepted large donations from the Sackler family. The same Sackler family that made money by working with Big Pharma to fuel the global opiate addiction issue (the word must be used here as a shorthand due to the business linkages). among other ways, by over exaggerating how addictive its wonder medication OxyContin is.
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Therefore, despite the fact that Goldin never took her activism badge off (her work, as personal and autobiographical as it is, makes a powerful statement about the social marginalization of women and LGBTQ people), she now finds herself re-pinning it on and holding protest events at organizations that have in some way supported her way of life.
All The Beauty And The Bloodshed Quiz
As it turned out, she did so at a good time. Her small movement took place at the same time when journalists were very interested in the Sacklers’ finances. When he first spoke with Goldin, Patrick Radden Keefe, who was working on an investigative feature about the Sacklers for the New Yorker, recalled sheepishly that he was a little dismissive of her and wished her luck with her assignment. However, their combined efforts led to an amplified effect. Aside from the fact that museums are removing the Sackler family’s name from some rooms that had previously been dedicated to or by them, subsequent civil court cases have forced the family to pay enormous fines (which, it is noted with no small irony near the end, has little to no impact on the remaining personal fortunes of family members).
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But “All the Beauty and the Bloodshed” is far from being an overly positive story. It tells the political and social/sociological stories of Goldin’s entire life. How she grew up in the oppressive 1950s and the toll that atmosphere took on her adored older sister, who had nowhere to turn when she came out as gay. The story of her fate reveals a guiding force in both Goldin’s life and the life of this nation. More detailed descriptions are not appropriate because the impact of the film is greatest when it is seen as an unspoiled tale. This is Poitras’ best movie because of the compassion he expresses and the depth and complexity of everything he explores.
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For more personality quizzes check this: The Woman King Quiz.
