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In “Belle,” an animated movie by Mamoru Hosoda that updates “Beauty and the Beast,” an outcast named Suzu (voiced by Kaho Nakamura) finds love and community on a virtual reality platform called U. Hosoda’s fable depicts the highs and lows of online success and how we express our true selves in the protection of the internet rather than at the whim of a harsher, more real reality using lavish graphics. It is a painstakingly produced, if not entirely original, indictment of internet culture that is brimming with color and melodramatic teen angst.
The quiet, lonely Suzu resides in a picturesque rural area where the bus line will shortly be canceled after this summer. U is her main point of contact with the outside world outside of school, where few people notice her. She only has one buddy, and that friend is the intelligent, cynical Hiro (voiced by Ikura). Suzu’s mother drowned when she was a young girl while attempting to save a stranded girl from a roaring river. The now-17-year-old finds it difficult to sing in front of people and feels distanced from her father as a result. She can only get the courage to sing on U, where she transforms into the radiant Belle, the platform’s most well-known star.
We quickly learn how Suzu is contributing. You see, each avatar on this body-sharing app is made using the specific biometric data of each user. Ruka (voiced by Tina Tamashiro), the most popular and prettiest girl at her school, was included in a group photo that Suzu uploaded when she created her profile, creating Belle in her likeness.
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Early on in “Belle,” Hosoda subtly makes references to “Beauty and the Beast.” The Dragon, a battered, cape-wearing beast pursued by a group of law enforcement officers known as the Justices, barrels through Suzu’s U concert as her internet popularity soars. The Dragon appears to punch opponents in the U’s Martial Arts Hall out of rage rather than for sport, and the justices, a group of muscular bullies dressed as superheroes, seek to reveal The Dragon’s true identity. Suzu falls in love with Dragon and sides against the Justices after sensing an underlying hurt driving him.
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In “Belle,” the classic myth is wrapped in cliches that are common among teens dealing with high school crushes. For instance, Suzu’s childhood friend Shinobu (voiced by Ryô Narita) is one such flame whose warmth always seems just out of reach (it doesn’t help that he nauseatingly sees himself as her protector when she doesn’t need one). Any remark the movie makes on online culture never goes beyond the usual: For some people, the internet serves as both a therapeutic space for processing grief and loss and a toxic environment for trolls and bullies.
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The appeal of “Belle” lies more in its lavish animation. It can be hyper-realistic at times or comical. The aesthetics typically change into magical and whimsical shapes at certain stages. One of those images is the contemporary, computerized reproduction of the Beast’s castle, which is akin to a crystal palace. Millions of avatars of all different sizes and shapes surround Belle as she sings while perched atop a whale equipped with speakers and is dressed in a flowing rose-colored garment. The most sincere sequence in a film with an ocean of wistful tunes is a sea of golden, dazzling voices that are reaching out in pure kindness and playing Suza’s best song.
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Equally captivating is the way Hosoda’s epic narrative reworks “Beauty in the Beast.” Its aesthetic odes to the fairy tale’s fundamental building pieces create unquestionably a strong foundation. But Hosoda skillfully enriches the antiquated story with fresh, emotional ground. It gives rise to a challenging topic, from which the severe suffering experienced by the voiceless emerges. Suzu must learn to use both her inner and exterior strength. And how, in addition to having a mesmerizing singing voice, her ability is in the empathy she demonstrates rather than in the attention she receives from others.
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It can be aggravating that Suzu must learn to accept her feeling of agency while making place for a love partner who equally believes in her fragility because Hosoda doesn’t give a fully fresh perspective on either the teenage romance format or online society. But “Belle” has an agonizing, compassionate soul that makes movie worthwhile to see because to the compelling animation and the poignant thoughts on mental and physical damage.
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