Respond to these rapid questions in our Pitch Perfect 2 quiz and we will tell you which Pitch Perfect 2 character you are. Play it now.
When it comes to comedies that are in their second round, “Pitch Perfect 2” is not at all perfect. The writing in it is more than a little bit cheesy. And there are at least two reasons to protest its treatment of Anna Kendrick’s character, Beca, the once outsider freshman who took the all-girl Barden Bellas to new competitive a capella heights in the sharp, sassy, and sweetly humble original film that sprouted into an eminently re-watchable sleeper success primarily via DVD and cable in 2012.
First, now that the Bellas are competing on an international level, the diminutive dynamo is not only subjected to bouts of abuse about her lack of height by two towering Teutonic twits from a competing group known as Das Sound Machine. In addition to this, the abuse is directed at the diminutive dynamo because of her lack of height. (Although her strange girl crush on the intimidating Valkyrie-like female half of this bullying pair at least provides Kendrick with something humorous to chew on.)
On top of that, Beca’s overall appearance in the movie has been scaled back significantly. In point of fact, she spends a significant portion of her senior year sneaking off to an internship at a recording studio in order to pursue her dream of becoming a music producer. She does this rather than devoting herself to boosting the performance of her fellow Bellas. She feels guilty about this decision. This also means spending less time in close quarters with tenor Jesse (played by Skyler Astin), whose all-boy Treblemakers are becoming more allies than competitors. The one bright spot is that Keegan-Michael Key, who plays her distracted boss, delivers a stellar slam against hipsterdom using sriracha, which is a popular sauce for some inexplicable reason.
Did someone forget that the last time around, Kendrick helped save the environment by teaching us a new way to recycle plastic cups, and in the process, scored a top-10 hit on the Billboard Hot 100 chart? It would appear so, given that the country song “When I’m Gone” is heard, albeit fleetingly and without any percussion from drinking vessels. Perhaps the use of plastic spoons that click against one another should have been considered.
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Not that Elizabeth Banks, who is making a solid debut as a director while also reprising her role as a condescending a cappella commentator alongside John Michael Higgins (whose insensitive dig, “Let’s hear it for girls too ugly to be cheerleaders,” is way too Sue Sylvester circa the first season of “Glee”), and returning screenwriter Kay Cannon don’t try to find all manner of additions to distract us from the fact that this plot is basically the same
Due to the fact that this appears to be the overarching principle at hand, it is surprising that the disco-era classic “More, More, More” by Andrea True Connection is not included on the playlist.
Pitch Perfect 2 Quiz
There is undeniably more, more, and even more of Rebel Wilson’s lusty breakout role, Fat Amy, beginning with the scene in which she makes an embarrassing sky-high entrance at the Kennedy Center after embarrassing herself in front of President Obama and the First Lady by going “commando” and bursting her too-tight Spandex britches due to their tightness and causing a media scandal by going “commando.” Even if it is making fun of the way wardrobe malfunctions involving female celebrities are used as click-bait, the sequence isn’t nearly as funny as it believes it to be (just ask Anne Hathaway). On the other hand, if only for the sake of adding the term “Muffgate” to the lexicon, it was almost definitely worth it.
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Her relationship with the cocky swain Bumper, played by Adam DeVine, who was more effective in smaller doses back when he was playing a villain, also takes center stage as it develops from the just-sex stage to the possible commitment stage. Again, this leads to one of “Pitch 2’s” high points, which is Fat Amy belting out “We Belong” by Pat Benatar while rocking a somewhat unstable watercraft.
The treatment of the Universal Studios fanfare is one example of the film’s cleverness. Another is a side comment made by Fat Amy, who says, “You’re the most talented person I know, and I’ve met three of the Wiggles—intimately.” However, it seems as though there are at least a half-dozen attempts at humor that are forced and fail to elicit laughter. The majority of the varied cast of Bellas makes a comeback, with their endearing eccentricities being used in a more general sense but with less impact than before. Lily, played by Hana Mae Lee, is more terrifying than ever as she mutters non sequiturs such as “All my teeth come from other people.” In her seventh year of college, confident Chloe, played by Brittany Snow, is still struggling with feelings of inadequacy (she intentionally fails Russian lit to continue singing with the Bellas).
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Among the newcomers, there is Hailee Steinfeld (“True Grit”), who possesses a pleasant lilting tone and plays the role of pleasant legacy Emily (her mother is played by Katey Sagal). It is likely that Hailee is being groomed to take over from fellow Oscar nominee Kendrick. However, her ability to incorporate original material into the Bellas’ set list is by far the most significant contribution she has made to the band. Her song “Flashlight,” whose actual writers include the incredibly popular Sia and Sam Smith, is attempting to become the new “Cups,” but it is more comparable to Rihanna’s ode to another utilitarian implement, “Umbrella.” The unfortunate truth is that Emily’s surname is Junk. The punchlines will almost certainly come to you on their own.
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Regarding the a capella performances, there is something a little prefabricated about them, and they are not nearly as organic as the ones in the first movie. However, just as the impromptu sing-off in an empty pool was the musical standout in the first “Pitch,” so, too, is the one held at the mansion of a rich a cappella nut (David Cross) between top groups, including some of the beefier members of the Green Bay Packers, who are just one of a parade of star cameos in the movie. There is no way to make you happy if you are unable to take pleasure in hearing a medley of songs performed in multi-part harmony, some of which are titled “Baby Got Back,” “Bootylicious,” and “Thong Song.” If you are unable to take pleasure in this, there is nothing else that can be done for you.
Sadly, the climactic showdown does not live up to expectations. It is always a good idea to give comedies some leeway in terms of political correctness, but even my normally open mind started closing down when a montage of the global talent competing against the Bellas looked more like a stereotype-heavy homage to “It’s a Small World After All.” This caused me to question whether or not the film was actually funny. And even though it hurts me to say it, I would have awarded the prize to Das Music Machine. Even if, in Fat Amy’s opinion, they are a bunch of “Deustchbags.”
For more personality quizzes check this: Spectre Quiz.
